The characters in Jonathan Franzen’s latest novel Purity are all connected by one person, Purity Tyler, who goes by the nickname “Pip”. Like her namesake in Charles Dickens’ novel Great Expectations, Pip Tyler is a young person whose life is shaped by past events she does not understand.
Purity is divided into seven sections, each relating parts of the story from a different character’s perspective: Pip begins, centres, and ends the book, two sections are devoted to the magnetic and strange Andreas Wolfe, and one sections each from the point of view of journalists Tom Aberant, and Leila Helou. Through the narrative another important character emerges: Annabel Laird, an artist who has rejected her large inheritance and creates chaos for those who love her. This is where Jonathan Franzen really excels: creating diverse voices and vivid characters. What first attracted me to Franzen as a writer was his ability to write women characters who were complex and struggled with the social expectations put upon them to be “nice”. Reading Purity, as well as his previous novel Freedom, I found many moments of recognition and sometimes unflattering truth. In this novel even though Pip as a character may represent the ideal of Purity pursued by several other characters, she is still very human and imperfect.
The Corrections and Freedom.
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